WITH AS IF nothing has been spinning around for something to remember, the Norwegian choreographer Heine Avdal and the Japanese choreographer Yukiko Shinozaki are creating a new production for larger stages. This creation for 6 dancers brews upon the grounds of their 2012 creation “nothing’s for something” and develops its best components further. Starting out from the theatre space as an empty non-space. We search for how a place can become fluid, how it can mutate, or separate into different parts. When a given situation transforms, how do new possibilities develop and open up for other dimensions? How can the presence of space be divided and shifted into the presence of objects and bodies?