Your Mother at my Door 15.–16. September

The duet utilises the seemingly useless time through dances created from everyday feelings and situations.

What could be so important that you haven’t got to call me back for three days? What’s the thing that you can’t for five minutes? You just cannot disappear like this! Nobody can disappear in such a way! (categorising snowflakes, feeling uneasy at a dinner party, psychology of the laundry, I’m not stupid, Putting off today’s to‐do‐list for tomorrow, I’m getting old, ponder on a pencil’s blunting, you should have said it yesterday, listening to his snuffling, what do they think of me, why can’t you just  understand it). 

- Fülöp and Cuhorka are on stage but are not characters. Their personality, presence breaks through all situations, poses and acts. They speak this complex, syncretic movement language with naturalness and naïve amazement, that we – the audience – never think would be fixed choreography…. There are scenes seemingly borne in nothing, in the tiny, insignificant debris of being. And the transcription of these little nothings, insignificancies, weightless bits into movement will be gripping. The most exciting, enigmatic of all is really the way this movement adventure turning the language of ballet upside down is supplemented by these wildlings: the radical application of profane, not-dancy and sometimes not even so aesthetic movements.
Csaba Králl – critic


 

With

Creator-performers:
Emese Cuhorka og László Fülöp
Utøvere:
Emese Cuhorka og Patrik Kelemen
Music:
Antonin Dvorak IX. “New World” Symphony, Zoltán Mizsei
Lights:
Orsolya Pete
Costume:
Emese Kasza/Mei Kawa
Production manager:
Dóra Trifonov
Producer:
SÍN Culture Center
Internasjonale relasjoner:
Anikó Rácz
Foto:
Gabor Dusa
Supporters:
Visegrad Fund, National Culture Fund, Open Latidude# - Culture Europe Programme, L1 Association, Workshop Foundation, MU Theatre. ​
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